Why Disney’s “Frozen” Is a Bad Movie
I simply wrapped up the famous Disney film, “Solidified”, for the subsequent time. The publicity encompassing the film was disagreeable and everybody was stating that, “‘Frozen’ is perhaps the best film ever.” Watching it my first time around, it wasn’t extraordinary; the bar was set truly high and my desires didn’t get together to the truth of the film. In any case, after my subsequent time watching it, it has cemented in my cerebrum that this film is one of the most noticeably terrible Disney has ever delivered. ซีรี่ย์เกาหลี
There’s really a clever history encompassing this film. Walt Disney needed to make this film right in 1943. “Solidified” should be Disney’s adjustment of the mainstream fantasy, “The Snow Queen”, composed by Hans Christian Anderson (Get it? Hans, Kristoff, Anna, Sven. Great job, Disney). “The Snow Queen” really has, what might be Elsa, as the reprobate. They concluded they couldn’t make the film during the 40s since they couldn’t figure out
how to adjust it to a cutting edge crowd. They attempted again in the late 1990s, yet the task was rejected when one of the head artists on the venture, Glen Keane, quit. In 2010, they rejected it again on the grounds that they despite everything couldn’t figure out how to make the story work. At that point, in 2011, they at long last settled on making Anna the more youthful sister of the Snow Queen, which was sufficient for them to make “Solidified”.
“Solidified” was coordinated by Chris Buck (known for “Tarzan”) and Jennifer Lee (known for “Wreck-it-Ralph”). The bar was set truly high for me seeing as both those motion pictures were well over the guidelines of a “child’s film”. The story would have been much the same as the fantasy, however at that point, Christophe Beck made the hit tune, “Let it Go”. The creation group went insane; rather than attempting to fit the tune into the film, they revised the whole plot and Elsa’s whole character to fit the melody. I have never known about a whole film being changed to fit one melody. Along these lines, it’s glaringly evident that nobody could settle on anything in this film. Since Elsa isn’t the foe, there truly was no genuine malicious power. The Duke of Weaselton is raised to be the lowlife at the outset when he states, “Open those entryways so I may open your privileged insights and adventure your wealth. Did I say that for all to hear?” Why would you like to open the privileged insights and endeavor their wealth?
The Duke has positively no advancement to where he doesn’t have a name. He scarcely even gets screen time. So on the off chance that he isn’t the miscreant, who is? All things considered, over the most recent 15 minutes of the film, Anna’s life partner, Prince Hans, is raised to be the scoundrel, expressing he needs to manage a realm and he can’t in light of his 12 different siblings. This comes out of totally no place. There were no indications, no shrewd looks, no sidebars or monologs, nothing. He even gives out covers and hot soup to each individual in the realm of Airendale. Sovereign Hans even says, he will ensure Airendale on the grounds that Anna left him in control and “won’t stop for a second to shield Airendale from conspiracy” when the Duke states he needs to dominate. I can’t stand it when they get so lethargic as to simply toss in a miscreant at the most recent couple of minutes since they couldn’t really raise a genuine scalawag. Sovereign Hans expresses that he needed to dominate and he was going to slaughter Elsa and this other poo, however Elsa was going to be murdered and he spared her life. For what reason would he spare her life in the event that he needed her dead? None of it seemed well and good and it rankled me the whole film.
Solidified reuses liveliness and character models from their past hit, “Tangled”. The primary characters, Elsa and Anna, utilize a similar precise model as Rapunzel from “Tangled”. This debate has been colossal around the web, calling Disney “languid” and the such. By and by, I approved of this. Disney is known for reusing activitys (which can be seen here). Despite the fact that it was extremely weird that Elsa and Anna had the equivalent accurate face and body structure and the main distinction between them were the spots and their hair, it didn’t trouble me to an extreme. In any case, during the crowning ritual scene, Elsa says to Anna, “You look wonderful.” Pretty amusing in the event that you ask me.